Wednesday, August 25, 2010

BEACH HOBO STEALS FREE PEANUTS


Gasoline buyers at a terminally busy Virginia Beach filling stop now have more reasons to worry besides the rising costs of 87 octane and Marlboro soft packs.

Harry Englesore, AKA "The Peanut Bandit," has visited the Citgo service station on Virginia Beach Blvd. (known to Lynnhaveners as "Beach Robo") up to twenty-five times daily since August 1996.

Englesore, who makes his coin doing Clint Eastwood impersonations, has gathered a nut stash exceeding 55,000, as well as totaling $29,228 in outstanding gas-card receipts.

Mr. Englesore was last seen in an unauthorized commercial spot for "Beach Robo," which aired as recently as July of this year. He asked the cameraman, "Feel lucky, punk?" before speeding off in a 1998 white Ford Mustang. Englesore has been known to frequent Lynnhaven Lounge, Vietnam Garden, and T.J. Maxx.

In conjunction with Planters, Citgo is offering an advance two-peanut reward for information leading to the whereabouts of Harry Englesore. Additional snacks will be bestowed upon capture.

Hookers - 12 Gauge Reaction EP (Black Lung, 1997)

Everything you need to know 'bout this bad-ass lil' record is contained in the introductory sound bite of "Don't Want Us Around" ("If I find or hear the individual that has said that about me, I'm gonna break your goddamn neck, you son-of-a-bitch! I will pull your goddamn tongue out by the root!"). Health insurance for punk 'n' rollers everywhere, so act now while the premiums are still low.

The Hangmen - Metallic I.O.U. (Acetate, 2000)

Found a sealed copy of this in the two-dollar bin, so you know I bit. Per its Stooges reference, the record's title was very promising. It delivered the danger, little stranger. Trashy-yet-classy R 'N' R that takes out its loans from Hanoi, Stones and post-Dead Boys Stiv. Lovie heard a track which reminded her of a scene in "The Lost Boys." But she was quick to point out NOT the clip where that pre-Kenny G lame-o with a sax butchered The Call's "I Still Believe." My favorite song from that film was INXS' take on "Good Times" ("We're gonna have a good time tonight/Rock 'n' roll music's gonna play all night/C'mon, baby, it won't take long/Only takes a minute just to sing my song"). Easybeats, right? Echo And The Bunnymen did justice to "People Are Strange", 'cause singer dude Ian was a natural with his per-usual Morrison-esque delivery. The Call or INXS or Bunnymen have nada to do with The Hangmen. Yet, all three have everything in common with them. Piece together this gothic vampire jigsaw puzzle at once. Terror couple kill colonel.

Bravo Maxi - Heaven And Hell (self-released, 2002)


Bravo is a channel on cable television. Bravo Maxi are an indie rock band from Richmond, VA. I have never watched TV in Richmond. Foo Gauzy has never appeared before my eyes on Vee Bee Tee Vee. But I know my state capital's FOX affiliate is channel 35. Thirty-five is a neat number. It's divisible by 1, 5, 7 and itself. Emo and Elmo are separated by one letter. "L" is for Leigh, who plays bass. Let's give it up for those particular instrumentalists. Hooray for Leigh! Hooray for Lemmy!


Tuesday, August 17, 2010

Fifty Cent Taco Night @ Batterson's, Norfolk, VA


For the past month or so, I have made it a point to meet fellow dining companions here on Mondays and Wednesdays. Not because the 50-cents-an-ounce steaks (weighed by Abdullah The Butcher in full public view!) and similarly priced Hump Day tacos are worthy of a thirty-minute trip from my home base in Vaaa Beeech. Rather, I've used Batterson's as a twice-weekly trading post for exchanging Cee Dee Ares, fanzines, monies and occasional kind words. Standard GOP (Gunther Operating Procedure) has called for either fibbing about having had an early dinner of roast beef and mashed potatoes or fessing up to my postponed satiation (i.e., "I'll grab something later from Jack Off In The Box").

On this late afternoon, however, my stomach was screaming (to paraphrase Homer), "I'M SO HUNGRY, I COULD EAT AT BATTERSON'S!!!" Thus, instead of ordering my usual 22-ounce Natural Light draft (why no Bud on tap, Bat Men?) or Mike's Soft Lemonade (water and citrus, for not-so-hard days), I told the overeager waiter (Hey pal, this ain't Rush Limbaugh at Freemason Abbey's best table; it's The Gee Man squeezed into a booth with ripped seat cushions!), "I'll take five tacos, por favor." SamboneRNRMF, who had eaten in double figures on a previous visit, went for a three-pointer plus the free throw. Holly stayed in the paint with a quick two, while Bil (who had sold his other "L" on eBay for a tidy sum), lest he be called for traveling, didn't want the extra dribble of loose meat and opted for a backdoor cut of hamburger. Technical fouls were committed by all players; ground beef for the tacos would not be ready until twenty minutes ticked off the clock, and hamburgers had been given a one-game suspension (much like they'd later receive at MacArthur Center's Burger King [!], when the patties ran off the [food] court). Bil With One "L" tore into the referee, loudly exclaiming that he "DIDN'T WANT ANY FUCKIN' TACOS!!!" His second T-violation drawn, Bil With One "L" was ejected from Batterson's hardwood and left to find a pick-up game elsewhere. Shorthanded by Bil With One "L"'s exit, SamboneRNRMF, Holly and I played "D" triangularly - hand checking the sweltering heat (read: no central air conditioning) with makeshift fans (menus and Dollar Tree portables worn around the neck), blocking thirst by sipping dos-dollar margaritas y aqua and stealing glances from the wide-screen near the lavatory.

As the final seconds melted away from the overhead timepiece, our respective meals were no-look-passed to us. Shells seemed tastier and crunchier than those found at conference foe El Taco De Bell. The meat was thinly spread a la Vegemite on Men At Work's sandwich and unseasoned like Chilli Willi The Penguin. Onions were plentiful in the mixture, as if to induce extended weeping post-Lady Die's funeral. Cheese was possibly a blend of Sargento-style monty jack and beddar cheddar. Lettuce and tomatoes were fresh as a sixty-ano-old muchacho flirting with a barmaid of veinte y dos. Salsa? Banished from the sport like Roy Tarpley with one-too-many substance abuse cases. In its place was a ketchup bottle filled with Texas Pete hot sauce. The only one in the arena, this communal substitute salsa was shuttled from sideline to sideline with the same fervor as a collection plate at Rock Church. SamboneRNRMF and I drove to the lane with our eats like Shaquille through the L.A. Clippers front line, but Holly just couldn't take it to the hole and fouled out with one finished taco. I would score ten shells-and-cheese for the night (and could've gone for fifteen, had I not been triple-teamed by a tight wallet), and my teammate SamboneRNRMF had a respectable eight points and twenty-four cheese-fry assists (who said he was a ball hog?).

Holly and SamboneRNRMF have talked about retiring from the league since this contest, but I predict they'll be back and forth with their holas/adioses like Magic and Michael. As for me, I've got SamboneRNRMF's assist mark to pique my interest in continuing with B(atterson's)-ball. Until the next tip-off, amigos...

various artists - Trash On Demand, Vol. II (Ultra Under, 1997)

A much larger and more interesting package than the first volume. Ultra Under head honcho and resident rock 'n' roller Jeff Dahl has assembled "23 New, Rare Or Unreleased Slices Of The Best Bands In Punk, Pop, Trash, Glam, Garage And Blues Action That Be Shakin' Today Daddy-O!" Killer cuts aplenty: "51 Crazy Zone" (Assassination Bureau) has a Brit-punk bounce any Lurkers/Boys fan would dig. "Remember Fun" (Hotdamn) recalls The Pandoras' It's About Time-era, with some foxy, '60s girl-group garage sounds. "Abducted" (The Jezebelles) is one of several tunes with a serious Stones-ish bent. "Fall" (The ADZ) displays a rockin' style not unlike Mr. Dahl himself circa Scratch Up Some Action. Local representation can be heard on track nine (Big Bobby And The Nightcaps' "Wanna See Her Cry"). Lastly, the ever-so-humble Jeff gets in on the act with an uncredited number that closes this fine collection.

Scared Of Chaka - How To Lose (702/Empty, 1998)

Joint collaboration from two fine labels. "Up Comes My Supper" and "Loaded" have that familiar Chaka-chug (think Duty Now For The Future involved in a violent car crash with Dawn Of The Dickies), while "December" and the title track are well-crafted pop songs that manage to avoid being wimpy. Would these guys ever consider opening for Modern English?