Wednesday, September 29, 2010

Rip Dizzy @ Matt Malloy's, Va. Beach, VA (7/27/02)



I pounded the pavement with Dizzy for the first time in 1996 (when the 17th Street track was known to lace-uppers as O'Leary's). Volunteers along the path that evening served Guinness Stout drawn from sophisticated spigots. After seven or eight pints of the dark recharge, more parts of me than Lever soap's estimate ached like an old Replacements rocker. Ff the Memorex to Two/Double-Zero/Two: The six years that have passed so fuckin' fast since my initial Meyerathon couldn't help me from wondering 'bout future steps. In the third part of this Sabado Spectacular, a strange girl gave jOhn and me two tips for our buddy system: 1)Stop before you start and 2)Take advice from no one else. Questions answered, we two alone waited for the invitation to resume pacing towards our trifecta. The party was almost over, but the Papa "Kool" Bell celebration hadn't even started. C'Mon...

Singing songs that neither one of us could sing, jOhn and I were "bop bop bop bop bop bop bop"-ing at the heels of Dizzy's new shoes. "When She Comes Around" clipped us like a barefooted Zola Budd to Mary Decker Slaney. "Too Shy To Dance" left titular Skids-marks on hangin'-behind hearts with its sub-4:30-mile movement. "Looking For Sputnik" was instrumental in giving Dizzy an other-worldly challenge (they were too far ahead of the mortals at Malloy's). With the lead comfortably in hand (or should that be "on foot?"), "One Emotion" (Buddy Holly jogged with those who were feeling sad), "Entertainment" (For those who'd thought this would be a fun-run, they found out casual strollers didn't belong) and "Seventeen" (Funny how, even during a hiccup with 9.2 miles remaining, things would turn out like they used to be) were interesting reverts back to los zapatos de old. Apparently, those well-worn sneaks contained no holes or duct-tape fasteners. Declan MacManus, Andy Gill, Joe Strummer, Paul Weller and Joe Jackson had won foot wars in scruffy (yet angelic) red shoes during the fitness craze of the seventies; Dizzy plowed through stretched line easily in Oh-Two's sedentary daze.

Doused from the equine kick of mucho Dos Equises, I held my bottle aloft in toast to Rip Dizzy's triumph. Time and time again, they have proven to be slightly better than the ever-increasing competition. After those glass clangings, I clutched another cerveza for our efforts. jOhn and I had handled the tribandathlon under the allotted cut-off with six minutes to spare (1:54 AM). It had felt so sweet to compete. The rest of the time was so sour.


Wednesday, September 22, 2010

The Starvations - Clementine EP (Revenge, 1998)

A wise man once said that no one should wear a cowboy hat unless he is comfortable on a horse. His name was Travis Tritt. Many of today's so-called Americana bands have trouble operating a quarter (read: 25 cents) horse at their Carrboro, NC Wal-Mart. "I've listened to Black Flag and Hank Williams all my life..." Come clean, greenhorn! The truly down-home folks don't feel the need to tell campfire tales that reek of such "Yee-haw!" posturing. Bloody knuckles and all, The Starvations have a firm grip on their reins, navigating terrain once traveled by Social Distortion, The Pontiac Brothers and Nine Pound Hammer. Three derby contenders on Clementine, each an odds-on favorite. "And down the stretch they come..."

Thursday, September 16, 2010

GUITAR WOLF

Hailing from the land of the rising sun, Guitar Wolf are a three-piece, trash rock 'n' roll combo. Consisting of Seiji (guitar, vocals), Billy (bass) and Toru (drums), the wolves shamelessly wear their influences on leather jacket sleeves. With nods to Link Wray -- "Link Wray Man" (complete lyrics: "Link Wray Man!"), Joey Ramone -- "Kung Fu Ramone Culmination Tactic" (Kung Fu Ramone is said to be Joey's illegitimate son and a punk rock martial-arts expert), The Rolling Stones -- "Satisfaction" (from the Wild Guitar EP) and Johnny Thunders -- "Thunders Guitar" (an original tune, also from said EP), Guitar Wolf prove to be the antithesis of Fleetwood Mac: no $1,000,000 production budget, no technical advisors and no writing in the studio. Just raw R 'N' R like the way Mr. Wray did it in the late '50s. Leaving no stone unturned, these wolves are best heard through their maniacal live performances.

According to Exile Osaka magazine: "Singer Seiji's special R and R ritual revealed... He has a big glass case in his apartment in which he keeps his guitar and leather jacket. The night before a performance, he enters the glass case and gets charged with rock 'n' roll energy. Seiji never takes off his sunglasses."

He must've brought that case to Virginia Beach, because their March '97 show at Route 44 ROCKED 'N' ROLLED those who wanted to feel the rabid bite of the wolves' fangs. All would require 17 shots in the stomach the next day. Guitar Wolf played 45-50 minutes, drawing largely from their 1996 album Missle Me. "Hurricane Rock," "Can Nana Fever" and "Jet Rock 'N' Roll" were meaner and rawer live than on record. No small feat, since Guitar Wolf had paid famed producer Butch Vig 500 yen and one of those oddly shaped jugs of Sapporo lager found at Farm Fresh NOT TO PRODUCE Missle Me. Screams of "GEEETARRR!", "ROCK 'N' ROLL MOTHERFUCKER!" and "YEEEAAAH!" were often heard. Cries of "PLAY SOME TSOL!" weren't. The evening's highlight was a 15-minute frenzied take of "Kick Out The Jams" that was about as far from The Presidents Of The United States Of America's version as Tokyo is from Tidewater. Seiji played (think he only used one string!) for a couple minutes, then summoned Nyal from The Halfways onstage. Like a mad sensei, he instructed Nyal in the ways of the Wolf ("Play this note, then this note...") while doing these crazy, drunken kata movements. Telekinetic powers called Seiji back to his axe momentarily, then he received another calling. As Billy and Toru fanged on, Seiji handed the guitar to my sister Shannon, jumped onto the bar and unleashed a loud 'n' primal howl. MC5 would've been proud. Everyone left with bicuspid marks and a smile.

My sister's resume' now reads: "Held guitar of Guitar Wolf."

The Bodies - s/t (TKO, 1999)

From California, UK? On their eponymous full-length, these Sonoma boys refuse to lie dormant, by expelling some tuneful Brit-punk clang a la Menace simultaneously with the let's-go-to-the-beach ethos of The Gears. Sample lyrics: "We got the surf, we got the sand/We got the sun, so we got the tans/We got the wine, 'cause we got the grapes/So why do we need the other states?" Tracks two ("I'm Alright"), three ("Tonight") and four ("Down To The Beach") turn the best triple play I've heard in quite awhile. Each out could hide-and-seek on classic punk comps like Beach Blvd, Bloodstains Across California, etc. Will make many Top Eleven lists for 1999.

Minor Disturbance - Don't Tell Me What Is Right (Run And Hide, 2003)


If the tag conjures up images of Ian MacKaye at the milk bar, think again. Though "Crime," "You Think You're Punk," and the sped-up, mono recording of the Dead Boys' "3rd Generation Nation" (shades of the Teen Idles' interpretation of The Stooges' "No Fun") could flex their heads on an '82 Dischord comp, most of the others hoist their 12-ouncers of Bud Ice in an aching toast with fellow Nor-easterners Limecell and The Wretched Ones. "Riot" (live from the toilet known as CBGBs) waves the Flag (Black, NOT Anti-) from the Damaged years, while crude readings of the Angry Samoans' "Lights Out" and the ' Fits' "We Bite" chomp through 100-watt bulbs with ease.

Wednesday, September 15, 2010

Buzzcocks - Flat-Pack Philosophy (Cooking Vinyl, 2006)


With the fifth post-reunion album from these Manchester lads, the 'Cocks continue to enhance their legend and maintain their credibility in 2006. The blueprint drawn by Shelley/Diggle has been examined closely by Oasis, Pete Yorn, Ash, and the Arctic Monkeys. Like several efforts from the recent past, some folks have had a beef with the modern rock-type production. If studio-tweaking's not your bag, then go buy a Mummies or Rip Offs record. Actually, you should do that regardless of the band in question, but I digress. What I'm trying to say is that 1977 was almost thirty years ago. The spiral has been scratched, Reggie Jackson no longer pitches VCRs for Panasonic, Devoto's face is buried in a dirty magazine and only Don Fleming from Gumball still listens to 8-tracks. "Wish I Never Loved You" is a fine, hook-filled choice for a single (released with two non-CD cuts), with its phrasings of longing and regret. "Reconciliation" could very well be the next one picked from the basket. Repeated "Oohs" contained throughout recall "Love You More" from the classic era. The agonizing tone ("The separation's more than I can bear") cuts like a straight razor. Consumerism is given a ride on "Credit" ("Paradise is a brand new car") before crashing on "Soul Survivor" (a tightly-wound, two-minute lap penned by Diggle). What's with him and autos? (Diggle did author "Don't Let The Car Crash," after all.) While a friend and I were hanging out on the Buzzcocks' tour bus in '99, someone asked, "Have you ever watched a NASCAR race?" A band member answered, "I've seen examples." OK, it was Shelley who replied, but Diggle would've probably countered with something similar. "I've Had Enough" has tons of jangle that would make Johnny Marr jealous. "Between Heaven And Hell" creates a new harmony in your head, as Shelley and Diggle join together in the refrain. I'd say catch the 'Cocks on the Warped Tour, but I wouldn't want you to embarrass yourself in public. Still, you could take in their set at 10 AM and have plenty of time for the 11:00 brunch at your favorite stripper bar. Check the juke for "Orgasm Addict" before ordering your grits and Guinness.

GETTIN' RIPPED, GETTIN' DIZZY



My Friday morning Two/One/Zero-Two was very pink and filled with rejection. No, I didn't expunge the unsettlings of Franken Berry Moo Juice or a Tastes Great Pepto Shake. Rather, the talking 1987 Chrysler New Yorker (AKA -- "Kitt Too" in certain sections of Norfolk), which has faithfully driven its own Michael Knight Who Works For The Foundation Of Law And Government from point Arby's to point Be-Lo for nearly a year, opened its wiper-fluid tear ducts upon being stuck with the circle-and-slash decal. XTC would never be crazy about this particular "Pink Thing." Likewise, the New Yorker did not speed a hundred heartbeats high outta Paul's Auto Service's inspection bay. Instead of the usually helpful car-to-owner counsel ("Don't forget your keys," "Please fasten your seatbelt," "Your door is ajar," "Your fuel is low"...all points-of-assistance followed by "Thank you's"), Kitt: Part Dos was under an extremely bad Speak 'N' Spell ("F-U-C-K...I didn't pass because of a goddamned window," "S-H-I-T...they got me on an insignificant bullshit back light," "A-S-S-H-O-L-E...Why've you been puttin' that cheap Wawa piss in my tank?"). Man, Kitt The Sequel -- I only went there for the free sliced sandwiches and cold coffee. You know I wouldn't serve my Kittie Kat anything less than sweet ninety-three octane from Tex-E-Coh or Bee Pee. So, be mad all you want at that mean inspection man, but please don't lash out at your best buddy in the whole world. OK, Kitt pal? Look, I know you hate hospitals, but this operation on your driver's side glass is a must if you want us to hang out again. When you recover, I promise to coat your exterior in gold paint and line your insides with furry trim just like that ex-Navy, wanna-be pimp daddy's Kitt we saw in the unsanitary Hardee's parking lot on Kempsville Road. 'Til then, keep your engine cool and curb the exhaust fumes. By the way, there's a cute little German Beetle in C103. You didn't hear that from me, though. Be strong, Kitt Kar.

Because Kitt was being prepped for surgery later that evening, transportation and I were unfamiliarly distant from one another. Sure, I could've rented a car from Enterprise or called Beach Taxi in order to go see some new entertainment. But I didn't want the guerilla-war struggle. Plus, I hate the smell of stogies and freeze-dried ejaculate. Nope, I needed a driver servant who would keep his eyes on the road, his hands on the wheel, and, most importantly, his mouth from mentioning the tragic events of Nine-Eleven. Luckily, I found a stickered advert on a wastebasket lid in front of Baker Street Fun Food Drinkery. It read: "jOhn A's Lim-O-Zeen Service -- If I Don't Know You, Then Fuck You." Muy perfecto! I had met Mr. A once at West Beach Cafe's open-mic night. He told me that the stuffed wolf in a glass enclosure near WBC's entrance was the finest one he'd seen in the Tidewater area thus far. Before I could respond, jOhn interrupted, "Oops, a dispatch. Welp, nice knowin' you." Since we were on speaking terms, I punched in the necessary seven digits. "Hey, Mr. A! Look here, I know you and all. So, could I get a shuttle to the Oceanfront?" I asked the limo dude. "What the fuck I look like -- Cape Canaveral? But, since I've met you, I'll come and get you," jOhn answered in the most-Danny Devito of ways.

As I waited in the icy-cold temperature of the night's air (OK, I lied -- it was actually an unseasonably warm fifty-five degrees), a 1978 (?) Toyota Corolla station wagon with a permanently lodged "Stars On 45" cartridge in its 8-track player stopped at my feet. "You the guy who needed a lift?" the Corrola's driver screamed. When I peered into the car, I instantly recognized Mr. A's face. "You call this a limo?" I queried the "chauffeur." "You call that a flannel? That thing looks like something my grandfather would lounge in after his once-a-week bath," jOhn quickly retorted. "Look, could I still get a lift?" I venomously questioned. "Where? To the moon? Oh yeah, you want a shuttle to Cape Canaveral...BLAST OFF! Well, whatcha waitin' for? Hop in, before I pull over and take my in-between-shifts sleep," Mr. A sternly commanded.

Surprisingly, there was another passenger who had decided to fork over the fare. Her name was Holly or Molly or Dolly. She was also en route to La Playa De Virginia Oceanfront. For most of the way, jOhn's Corolla was as hushed as a LPGA gallery. Things got interesting, however, at the point where Virginia Beach Blvd. turns into 17th Street. "Goddamn Checkpoint Charlie! And he ain't crackin' a smile. It's been no laughing party driving all these murder miles. Only takes an itchy trigger; one more little, one less Mr. Biggers," Mr. A sorrowfully stated. "What was all that about?" I verbally wondered. "Folks, it's like this. My business license and insurance-certification papers are back at the office. I've been cited with too many damn infractions as it is. Don't really feel like going to jail tonight. So, if y'all can bear with me, I really need to run that there checkpoint. After I do, feel free to go about your business. Oh yeah, the fare's on me," jOhn addressed in a down-on-his-luck tone. Agreeing with his law-breaking scheme (Hey -- free ride!), Holly or Molly or Dolly and I tightly grabbed our seat cushions as Mr. A sped past twenty or so police cruisers. Safely outta harm's way, jOhn pulled into an establishment called St. Pat's On 17th (about a mile from the Protectors And Servers set-up). He bade us both good night and told us to be cautious out here.

Noticing the look of an emotionally drained man, Holly or Molly or Dolly and I, though complete strangers at the time, decided to abandon our planned Friday nights in favor of treating the Lim-O-Zeen man to a pick-me-up. I walked back to the Corolla and saw Mr. A with head in hands. "Hey, Holly or Molly or Dolly and I were talking about what'd just happened. We think that you deserve a break from life and all of its dealings. So, would you like to go inside St. Pat's, have a drink or two, and see the band?" I motioned to jOhn with great concern. Not having a better offer, Mr. A resigned, "OK. Ain't like I have anything better to do." Thus, jOhn, Holly or Molly or Dolly, and I entered St. Pat's needing some tonic-and-tunes remedy.
"Thin Lizzy? Since when did they get back together?" Mr. A curiously pondered. "No! No! No! The band's name is Rip Dizzy," I corrected. As painful strains of rapcore and other forms of radio rock permeated inside the bar, a waitress came to the table asking us to pick our poison. jOhn, technically still on-call, ordered a rum-and-coke sans the demon. Holly or Molly or Dolly went with a Budweiser draft in a tall glass. At first, I was gonna join Mr. A in his sobriety slam. It had been 46 months since cold brew had passed through my lips. On a regular night out, I would've kept my edge and downed beer comma root or ale comma ginger. However, irregularity was the order of the evening. Thus, I told our serve-and-volleyer, "I'll have what she's having." With that first sip, there went my streak of approximately 1,380 days without alcohol. Cal Ripken, Jr. and A.C. Green can now protect their records, cause I'm no longer a threat to shatter those marks. You know what's better than drinking one beer? If an answer is necessary, perhaps you wouldn't understand Holly or Molly or Dolly or me or our unofficial game of Drunk-A-Duel. As we were gettin' ripped and the band was about to get dizzy, Holly or Molly or Dolly built a 2-.75 lead in our draft dousing.

"'Move along,' says a cop to me," sang Rip Dizzy in their Buddy Holly-out-for-a-stroll-near-the-checkpoint blast, "She's The One." "Charlie would've told me to come along, had I played by his rules," jOhn defiantly bragged in an I-fought-the-law-and-I-won confident air. "I'm Still Waiting" attracted like early Elvis (Costello -- who else?) with its brains-and-brawn bouncy beat. Among other things, the Dizzy were in line for the government, president, record label, and paycheck. Holly or Molly or Dolly, on the other hand, was more direct. "I'm still waiting on another beer," she cleverly quipped, post-song. "One Emotion" diffused from the poppier side of "The Only Band That Matters" a la "1, 2, Crush On You" or "Groovy Times." Mr. A clapped palms together vigorously for this gem, one-upping the cut's title by giving us the range of his (then dejected, now elated). "Sex, Drugs, And Rock 'N' Roll" sucked (like you would a breast or 1,999 other female parts) 'n' snorted this-year-model's narcotic chemicals in Joe Jackson-got-the-record time. Definitely ticked ticked ticked in my head. Scoreboard: Holly or Molly or Dolly - 3, Me - 1.65. "Punk Nouveau" had to rank up there with the greatest songs-under-30-seconds (hear SST alumni Black Flag and Descendents for others) I'd ever lent my ears to. "Lean on me/When you're not strong/And I'll be your friend/I'll help you...DIIIIIIEEEEEE!!" I'm kidding, people. In fact, Dizzy's vocalist was incredibly affable throughout; taking time many times asking, "How's everybody doin' tonight?" So far, so great -- Thanks for inquiring. "Bonfire," a dark 'n' connecting ballad from their self-titled dee beaut, was given a (take yer pick, pardner) hoe-down/bluegrass/western swing/speed country reshufflization for the honky-tonk Irish cowdudes and cowdames in attendance. Nothing tastes better than Murphy's Stout and bacon-and-cheese biscuits cooked outdoors. Pass me that checkerboard hanky -- Dems were some good eats! At the twenty-minute ticker, Holly or Molly or Dolly still clung to a 3-2.25 advantage.

CBS -- Cover Bands Suck, so the expression goes. Sensible gentlewomen like Holly or Molly or Dolly and gentlemen like jOhn A Lim-O-Zeen and myself would wholeheartedly agree with that directive. I mean, why would someone want to hear Hardcover bushsplunker "Everything's Zen" ("Don't believe that Elvis is dead"...No, he's not. The guy just hasn't made a top-to-bottom consistency since "Get Happy"), Grindstone soar with the "Free Bird" (An upcoming local band, whom I promised not to name, will soon clip that ole buzzard's wings), or Powerhouse get caught by "You Really Got Me" ("We're gonna play some Van Halen for you now..."), when he or she can just feed quarters to the juke or cruise the road in a Kimnach Ford and hear the originals? However, when a band who primarily writes their own material decides to throw some choice bones at us music-lovin' dawgs, we can't help ourselves from digging into the marrow. The Dizzy gave us plenty of reasons to bark on this Friday night turned into Saturday morn. According to the Gang Of Four, the worst thing in 1954 was the bikini. Soon, I'll ask mi madre if she agrees. Did you know that New York City really has it all? Oh yeah, oh yeah, oh yeah...though Mr. A looked at me as if to say, "Whatever, Joseph." What's so funny about peace, love, and understanding? "Plenty, if it comes from the mouth of one Richard Gere," Holly or Molly or Dolly retracted. The bravest selection was unquestionably "Everybody Wants To Rule The World." Holly or Molly or Dolly flashed me a glance that facial-expression translators would've posted, "Why do I feel like it's 1989 and I'm at Rogue's or Peabody's dressed in WRV betty-wear watching a shore-break set from Locals Only?" Personally, I prefer Sowing The Seeds-era Tee Eff Eff, but that one from the big chair brought back memories of stolen bikes, two-week restrictions, and other happenings from my eighth-grade prison term. Now, I'm making the most of my freedom.

After Dizzy's set, I handed the drummer a fiver for their latest No Room To Dance cee dee, thanked him, and finished the remainder of my hops 'n' barley. Final tally: Holly or Molly or Dolly - 3, Me - 3. It seemed so calculated. But she had a calculator.